كنيسة مار جرجس - عمارة شلهوب
أعطى المطران المثلث الرحمات نعمة الله سلوان الإذن ببناء الكنيسة ( كنيسة القديس مارون آنذاك) وأوقفت الأرض من المرحوم سلوم بسول سنة ١٨٩٩. اكتمل بناء الكنيسة مار جرجس الأعظم حوالي سنة ١٩٠٠/١٩٠١ من أموال أبناء الرعيّة بدليل تعيين أول وكيل وقف سنة ١٩٠٠ وتسجيل أول عمادة فيها سنة ١٩٠١ كما وتعيين أول كاهن لخدمتها سنة ١٩٠٢. تضرّر السقف خلال الحرب اللبنانيّة فتمّ ترميمه وطرشه على عجل. عند ترميم الكنيسة الثاني سنة ٢٠١٧ تم اعادة كشف رسومات السقف الأصلية.
St. George Church - Amaret Chalhoub
The late Salloum Bessoul donated the land for the building of the Maronite Church of St. Maron (at that time), and Archibishop Neematullah Selwan granted permission for its construction. The construction of the Church of St. George the Great was completed around 1900/1901 from the funds of the parishioners, with the appointment of the first trustee in 1900 and the registration of the first baptism in 1901, as well as the appointment of the first priest to serve in it in 1902. The ceiling was damaged during the Lebanese war and was hastily restored and painted. During the second restoration of the church in 2017, the original ceiling paintings were rediscovered.
بنيت سنة ١٨٢٧ عندما نزح آل كرم من يانوح الى قرطبا وطلبوا بناء كنيسة من مشايخ آل حمادة الذين أذنوا بناء كنيسة في الحرزمانة أي في المكان عينه حيث جرى الوفاق حيث كانت توجد بقايا رومانيّة. وبُنيت بالعونة بين أهالي قرطبا. بُنيت الكنيسة على مرحلتين وتصالبت أسواق العقد بشكل L وأُلغي الباب القديم أواخر القرن التاسع عشر. اللوحة من عمل كنعان ديب الدلبتاوي سنة ١٨٣٢.
The church of Our Lady of Herezmeny - Qartaba The church was built in 1827 when the Karam family moved from Yanouh to Qartaba. The family made a deal with the sheikhs of the Hamade family to build a church in the Herezmeny land where stood some roman ruins. The church was built with the villagers' voluntary work and effort. In the late 19th century a vault was added to the main building that ended up with an L shape. The painting is the work of Kanaan Dib and dates back to 1832
بحسب أحد التقاليد بنى الملك حصرائيم (الذي منه اسم بلدة حصرون) قصرًا وهيكلًا في هذا الموضع تحوّل في الجيل الرابع إلى كنيسةٍ على اسم مار لابي وهو اللقب السريانيّ ليهوذا الرسول. بني القسم الشرقيّ من الكنيسة في القرن الثالث عشر، وأضيف سنة ١٧٧٠ القسم الغربيّ. أخذت الكنيسة شكلها مع الصليبيّين، وهي عقد سريريّ منخفض بحنية واحدة. تضمّ الكنيسة مجموعةً من اللوحات التي تعود للقرن الثامن عشر وهي مزيج بين الأيقونة المشرقيّة وفنّ عصر النهضة.
The church of St Laby the Apostle - Hassroun
According to a folk tale, king Hassraym (from whom derived the name Hassroun) built a palace and a temple that was converted in the IVth century into a church dedicated to the apostle Laby (the syriac title given to Thaddeus or Jude). The eastern aisle was built in the XIIIth century. In 1770 the western aisle was built. During the crusaders era the church took its form, a single nave crib vaulted structure beneath the road. The church holds many XVIIth century paintings that are a representation of the local iconography being influenced by the art of the renaissance.
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
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